The
David Multon Trophy competition commemorates David Multon’s
membership of DCC. David was a long serving and highly respected member of the
club, he served as programme secretary, Chairman, and President and was a fine
photographer. He sadly passed away in January 2020 and is missed by all who
knew him and enjoyed his company.
He
loved gardening and his garden at home, and some of his last exhibition images
were close ups of flowers. David and his wife Jane spent as much time as
possible at their harbour side home in Salcombe, South Devon, often joined by
other members of the family. They enjoyed sailing, pottering, visiting local
coves and beaches, eating out, socialising with local people in the pubs.
Landscape photography was a passion, as was travel both in the UK and abroad.
The
David Multon Trophy competition is targeted to be an original competition. The only limit is your creative imagination,
with both PDI and print allowed in the same competition.
• A set subject competition.
• Classless.
• A maximum two entries.
Entry can be PDI or print or a mixture of one PDI and
one print. Unfortunately, the judging of books, AV, and zines has proved to
problematic and difficult in practice, so these are now, with regret, excluded.
NOTE - With the
agreement of the Multon family it has been decided to refocus and relaunch this
competition after 2026. The competition is still targeted to be an original
competition. The only limit is your
creative imagination; for instance if you like you could add text to an image.
Both PDI and print allowed in the same competition. The judge will be asked to
mark to reward creative imagination, and not safe standard images. Four set
subjects will be used, one per year, on rotation:
• Seascapes.
• Gardenscapes.
• Cityscapes.
• Landscapes.
DMT Seascapes, Gardenscapes, Cityscapes and Landscapes set subject
definitions
Images
may be created using traditional or any other photographic and /or
post-processing techniques. For this DCC competition, multiple exposures,
intentional camera movement, abstraction, minimalism, post-processing, and so
on are welcome, but the technique must not so dominate as to obscure the set
subject being depicted.
Members
are invited to enter into creative the spirit of the competition. The
definitions are about emphasis rather than defining exact boundaries. On the
night the judge’s decision and only
the judge’s decision is final. Please enter
images which naturally fit more comfortably in that year’s
set subject definition rather than one of the others.
Seascape Definition:
A photograph in which
the sea or ocean is a significant element of the image, showing its character,
atmosphere, movement or relationship with the surrounding landscape.
Examples could
include but are not limited to:
• Coastlines, beaches, cliffs and headlands.
• Waves, surf, rocks and tidal features.
• Harbours, piers, lighthouses and coastal
structures where the sea is an important part of the image.
• Boats or ships where their relationship with
the sea is significant.
• Coastal scenes at sunrise, sunset, mist or
storm conditions.
• Long-exposure seascapes.
What would
normally not qualify
• A photograph of a boat where there is little or
no sea visible.
• A portrait taken on the beach where the person
is the main subject.
• A building photographed beside the sea where
the sea is incidental, and the building is the main subject.
Gardenscape Definition:
A photograph that
captures a garden or designed landscape as the main subject, showing its
overall character, composition, planting, structures, features and/or
atmosphere. The image should convey the appearance and sense of the garden
rather than concentrating solely on an individual flower or plant.
Examples could
include but are not limited to:
• Formal or informal gardens.
• Public or private gardens.
• Botanical gardens.
• Walled or Japanese gardens.
• Garden buildings, paths, ponds and other
features.
• A wider view showing planting and landscape
design of the garden.
• An artistic interpretation of a garden.
What would
normally not qualify
• A close-up or macro photograph of a single
flower, leaf, insect or plant detail, where the garden itself is not the main
subject.
• Images of flowers that do not convey the
essence of the garden they are grown in are excluded. Remember This is a garden
photography competition, not a flower photography competition.
Cityscape Definition:
A photograph in which
the buildings, streets and structures of a city or urban environment are the
main subject. It may include people, vehicles, landmarks, architecture and
elements of the surrounding environment, provided the overall image conveys the
character, appearance or atmosphere of the city.
What would
normally not qualify
• A depiction of a single building with no city
context.
• Architectural details with no city context.
Landscape Definition
A photograph that
primarily depicts an outdoor environment, showing the natural or built features
of a place. This may include mountains, coastlines, countryside, rivers,
forests, urban environments, buildings, or any combination of these. The image
should convey the character, atmosphere, scale, or sense of place of the
landscape.
For this competition
a landscape does not necessarily have to be a purely natural scene.
Examples may include
elements of preceding definitions but are not limited to:
• Countryside, mountains and valleys.
• Coast, rivers and lakes.
• Woodland, forests and gardens.
• industrial landscapes.
• Urban landscapes
• Buildings and structures when they form part of
the landscape.
• Agricultural landscapes.
• Night landscapes.
• Seasonal landscapes.
The
landscape/environment should be the main subject, rather than an individual
person, animal, flower, building, or other object.
There
will be two separate upload sections in PhotoEntry for this competition, one for PDI and another for PRINT. Ensure you
enter your images in the correct section.
NOTE– Entrants
must follow the:
• General DCC Internal Competition Rules
including AI RULES